Calling by David Macemon
David Macemon (OR) was fortunate to be introduced to dance when he was invited to help start a high school based performing group that demonstrated English Country Dance, Contra, Morris and Sword dancing. He has been dancing and teaching ever since. David is known for his patient and clear teaching style and communicates the joy of dancing through his teaching and enthusiasm. He has been on staff for dance weeks and weekends around the country including Pinewoods, Buffalo Gap, Mendocino, Hey Days, and Berea Christmas Country Dance School. He is a regular caller for the weekly Portland Country Dance Community's English dance and teaches English, Contra, Morris and Sword dance at the Renaissance School or Arts and Sciences in Portland OR.
Music by Fine Companions
Start with four great talents, mix in some magic and get a musical feast better than the sum of its ingredients. This Portland favorite just keeps growing their reputation and it's all good! The band features Betsy Branch on fiddle, Lisa Scott on piano, Bill Tomczak on clarinet & saxophone, and Erik Weberg on flute. If you like lots of dreamy textures and rich harmonies, this is the band for you!
(OR) has been a mainstay of the Portland, Oregon dance community for
many years. Her exuberant dance fiddling has delighted dancers on both
coasts and her warmth and engaging smile extend beyond the stage and draw in
dancers and listeners alike. She is the Associate Music Director of
Revels theater company, and their house fiddler. Betsy plays for English and
Irish dancing, and in several contra dance bands. Her primary
passion is teaching and mentoring fiddlers and dance musicians.
Betsy teaches privately out of her home in SE Portland, and for
workshops around the region. When not playing or teaching, she works
as a music editor, arranger, and transcriber.
Lisa Scott (OR) is an accomplished pianist and teacher. Coming from a musical heritage, she earned a Bachelor of Music at Lewis and Clark College. She studied the art of accompaniment at the University of Southern California and in New York. She began Scottish dancing, soon earned her preliminary teaching certificate, and then learned to play for Scottish dance. Lisa has played piano for Scottish dance in the U.S., Canada, and Japan, and Scotland. Many years ago she fell in love with English country dance and music and has been playing for workshops and balls ever since. Lisa's sensitivity to dance rhythms and her lyrical style make her music a joy for dancers.
Bill Tomczak (OR) started playing clarinet at the age of 9. After a typical round of high school bands and concerts, he entered Northwestern University as a music major and studied under several teachers from the Chicago Symphony. In 1979, he discovered the world of International Folk Dancing and has been playing for folk dance of one kind or another ever since. The International repertoire provided a solid ground for all his subsequent work with Balkan, Klezmer, Greek, contra dance and jazz. He developed a reputation as a tasteful and innovative improviser who learned to blend seamlessly into a wide variety of fiddle styles, practically defining a whole new tradition for contra dance clarinet and saxophone playing. Bill now plays for contra dancing and English Country Dancing with The Latter Day Lizards, Campaign for Real Time and Fine Companions. He has recorded with The Latter Day Lizards, BLT, Wild Asparagus and Yankee Ingenuity and appears on the recordings Cascade of Tears and Gypsy Wine with Mary Lea and friends.
Erik Weberg (OR) plays flutes, harmonicas, and bombardes (yes, plural). He is a regular musician at English country dances in Portland, and he organizes and plays for a monthly contra dance with the band Joyride. He is also an English and contra dance caller, performing at festivals and weekends around the country, and was the caller for the 2015 Portland Ball. Erik is also co-producer of the Portland Megaband contra dance event and co-programmer of the Northwest Passage Dance and Music weekend.
Sound by John Oorthuys
Highly regarded by dancers, musicians, and callers for his high-quality sound work, John Oorthuys (OR) has handled the sound
board for many, many dances, balls, camps, and special events for PCDC and surrounding Pacific Northwest communities. He's has been the
Ball sound engineer for years and years, and his wizardry makes the sound fantastic.